#not for saying you don't like someones character design for their oc or whatever

[trans-yllz]

so weird to me when ppl reblog art and are like "hate x character but this is cool" or "not a fan of *thing that's a major stylistic component of the piece* but I love this other part of it" like that is so crazy rude?? idk if other artists feel the same way I just find it so exhausting like if I made art of a character and someone was like HATE this guy but the art is cool or if someone tagged my art saying they aren't usually a fan of this or that bit of character design or a color or whatever but like a different thing about it it would piss me off? I feel like as a general rule if you are reblogging somebody's art it's shitty to list all of the things you Don't like about it? to this complete stranger on the internet?? like saying you're Making An Exception about a part of a piece you hate that's like. an integral aspect of the art is not the compliment you think it is and you're being an asshole

[ohwormwood]

ISAT OCS: character sprites and (quick) introductions!

Part 0 | Introductions | Concept Art Dump | Ornithomancy | Memes | Trivia |

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Meet the party! And our antagonist!

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Celest | The Card-Reader (Celestine) (belongs to me, Paper Type, she/they)

A silent card-reader who has an unusual fascination with stars. Her predictions are unnervingly accurate, even if they don’t always happen as expected.

 A walking Greek tragedy, shameless Islander insert oc, and the most emotionally dysregulated being in the Universe next to Siffrin or Himawari, but is VASTLY worse hiding it. She's honestly one of my most fleshed out characters, and if I'm being honest I've vastly enjoyed writing her interactions with the party. If you were given a nickel for every time she had a mental breakdown and/or cried during the course of the plot you’d be able to retire even in the United States economy because she may say absolutely nothing but that doesn’t mean that she doesn’t burst into tears like someone watching Bambi’s mom die on repeat. She makes up for it by probably being the Universe’s second favorite mistake of nature next to the Siffrins and having Universe-powered deus ex machina moments, including:

Predicting people’s deaths! 

Finding a series of long lost gods, which definitely has no consequences at all! (lie)

Solving Zelda dungeons using the power of playing cards!

Unlocking forbidden knowledge! With no consequences at all! (even bigger lie)

Avoiding asking for help because of a misguided sense of independence and a self-imposed obligation to base the worth of her life off of carrying out the Universe’s will and helping people to make up for the crime of predicting people’s deaths!

Resurrecting the dead!

Predicting people’s deaths and resurrecting them!

Gambling!

She uses tarot cards as a conduit for her craft– all her craft skills are named after specific major arcana cards, and each party mamber has a designated card.

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Himawari | The Ghost (belongs to @dasnercaret, Rock Scissors Type, he/they

Mysterious and tall, with a eagle-like lacquer mask and unusually traditional wear. They're really a nice person underneath their ominous exterior, and have plenty of interesting stories— even if they occasionally contradict.

Default party leader, Meta Knight gijinka (as coined by @smokin-salmon), and the local Dark Souls boss who can and will beat you into the ground at a moment’s notice. But don’t worry, he’s got a heart of gold– no, don’t look at the body count. Has a tragic backstory befitting of his edginess that boils down to having his dad instilling in him a martyr complex so strong that we’ve lost track of the amount of times he’s probably been in near death experiences because he feels a personal responsibility to protect the party. He proceeded to spend the next nine years disassociating so hard that even Siffrin would be impressed, before being forcefully adopted by a 12 year old who decided that they’re friends now and are having soft tacos later. He dies, but don't worry, he gets better, just. Not fast. A solid 50% of this story's angst is sourced directly from this idiot's siffrin-level repressed mental issues. His plotline essentially drives this entire story to the point that he is literally the final boss. no, i will not elaborate on that.

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Ori (Orion) | The Wallflower (belongs to @scramblecat, Paper Type, he/him)

A traveler from Vaugarde, able to bring his origami creations to life. His kind and welcoming personality makes him easily likable… but for whatever reason, he has a tendancy to be forgotten.

The consequences of fusing Isabeau and Odile into a person who is the most functional and average human being on earth, except for the fact that he’s got the transgenderism, runs with a gang of trauma-bonded idiots, and accidentally turned himself into SCP 055 Lite by choosing the name of a constellation for his name before the Island got Nuked™. Now everyone who meets him turns into you when you can never remember the name of that coworker you’ve been sitting next to for two years straight and talk to every day. His power is being annoying to any enemy in his vicinity by giving everyone papercuts and buffing the party with the power of paper crafts until they turn into the fantasy RPG equivalent of the Russians in the 2020 Olympics. If it wasn’t for him being the most emotionally stable member of the party the other three would have probably succumbed to the disaster that is a plot with no levity or character development and serves only as the fuel for an AO3 author’s hurt/no comfort addiction.

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Haruka | The Child (belongs to @aquakirb, Rock Type, she/her)

A cheery runaway kid studying to become a healer. She does her best to help out the party in any way she can, however small. 

Literally the purest thing to grace the Universe. A ray of sunshine that knows no bounds. If you even consider making her sad, you will have half of Ka Bue on your heels ready to kill you, including Himawari, who will probably get to you first. She’s the party’s Bonnie, but do NOT get it twisted that she's a Bonnie clone; she doesn’t have a clue how to cook and doesn’t have nearly as much repressed anger. Actually kind of the opposite. She's strangely mature for her age despite being relatively cheerful and coming off as more childish from an external POV.  Her mom is a mysterious but well-known healer who's been training her since she was six and has essentially turned her into a pint-sized emergency response team.  She has the brand of ADHD that pulls out random information about their interests at the most random times and with zero context.  Also she technically killed a god, but that’s not even worth going on her resume.

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Aega | The Eternal Rest (belongs to @dasnercaret, Scissors/Rock Type, she/it/they)

A broken and corrupted Expression, existence wiped away alongside The Universe and it's guides. She wish is to restore that which has been lost, to be remembered... no matter the cost. Her Craft spreads across the land, warping reality as it attempts to restore her power through the dreams of those who fall under her spell. 

This bitch. THIS BITCH. I have never simultaneously hated and loved a character in my LIFE. To pair down an extremely complex and lore-heavy explanation, Aega is what happens when you make a god that has extreme power and then make all of reality forget she exists. She's the Expression of the Moon, and essentially presided over the night in its entirety, including the massive amount of constellations that make up an entire religious sect of the Universe Religion; it takes every white girls obsession with their horoscope and the absolutely astounding level of syncretic dissemination that buddhism had on the world, stuffs it in a blender, and makes a smoothie that tastes like existential loneliness, mommy issues, and almost a decades worth of stored up power that she can and will use to do whatever the fuck she wants. And what she wants is for people to stop ignoring her! she doesn't care if that involves the dismantling of reality or the destruction of entire human race, because when you're a god, your sense of object permanence is so skewed that you may as well be an Elden Ring character. Her entire motive is pretty much a mimic of the King, except instead of freezing people in time she puts them to sleep and freezes them! But it's less freezing and more turning them into a cocoon because the Lady Ethereal butterfly dream symbolism energy is OFF THE CHARTS. Her color is that electric blue that everyone wanted to dye their hair in the 2010s and also her namesake. Bet you can't guess what animal it is. (It's a butterfly.) (The Aega Morpho.)

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next up! a dump of oc content, misc. notes about the party, and more!

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Part 0 | Introductions | Concept Art Dump | Ornithomancy | Memes | Trivia |

[darqx]

Hi I understand if you don't reply, but I was wondering if you have any advice to beginners who want to start making their ocs a reality? (Like in the sense of having Charecters that have been in your thoughts for a while, but it's hard to encapsulate them into physical form?) As I have some that id like to make either into a game or comic but I'm a little stuck..

Also I'm curious if there will be any other content with the best boy himself rire?? : 0

Hullo! Ah, (physically) designing characters, how fun ❤️ - there is part of a reason why I only have a handful of them lol XD; ANYWAY here are three things that help me, so hopefully they can help you as well :)

(I'll use Demon!Rire as an example as unless you are an old guard of mine, he will probably be the most recognisable of my characs.)

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❓What do you know about them?

First of all since you already have your character in mind, congratulations you are most of the way there already! It's helpful to know the general vibe of them. And I don't mean the super detailed things that may arise from like..."Get to know your OC" quizzes - we are more looking for the core feeling of a character here. If you dumped this character into different AUs what things are going to stay the same/similar? Some things you should consider are:

What is their personality like? Why do they do the things they do?

Do I already have any physical traits for them in mind? Hair/eye/skin colour? Body type? Age? Name??

📝 Write a simple paragraph or some dot points about your character with these things in mind.

---EXAMPLE---

Sophisticated and charming, Rire outputs an aura of power and elegance. His pleasing physical appearance and gentlemanly demeanour usually enchants or commands people. Realistically, he is extremely manipulative and sadistic, and finds entertainment in the reactions of others.

---/EXAMPLE---

🤔 Make informed choices

Ok cool, you know something about your charac! Now build upon what you know to make them real - it is important here to try and match your design choices with the characterisation and "why"s of the character, and less with what you personally think will be cool/cute/whatever. What I mean by this is just pretend they are a person you are describing to a forensic sketch artist - you are giving "facts" as to what you think they look like not making stuff up (eg you would NOT be like "oh yeh she was totally a punk rocker however i'm going to say she wore a long flowing gown cos I think she'd look prettier in it?"*)

*Note that designing a character with opposites in mind can work out if you can at least answer the cursory "why" of it being a part of the character design. For eg maybe the punk rocker is secretly the alter ego of a socialite - flowing gowns and high fashion by day, grunge by night. Like Batman.

📝 Feel free to use dress up doll games and image searches for particular types of clothes/hairstyles/etc if you need inspiration. Thumbnail a bunch of different designs and see what works.

---EXAMPLE---

In my prev example paragraph I highlighted a few things in red. Here I'll break down how they can help craft a physical appearance:

Sophisticated and charming / elegance - to me, these combined make me think of ballrooms and black tie functions and nice suits. A well tailored outfit and someone who knows how to wear them.

Gentlemanly demeanour (well to some degree lol) - since I already know he's hundreds of years old (973 to be exact) I decided that an aristocratic Victorian-esque aesthetic would suit him. Somewhere in between a modern look and something with a bit more fantasy steampunk flair. He smiles quite genially until he's doing it with all his teeth.

Aura of power - he's got to be a bit of an imposing character so he's quite tall (or at least taller than all of my other characs) and carries himself confidently. Hooray for the ability to loom. Dark colours for this character, to cut an impressive figure.

Pleasing physical appearance - kinda stereotypical type of good looks that aesthetically most people would be like "yeh he's pretty". Athletic build - muscular but not bulky, broad shoulders, tapered waist etc etc.

Extremely manipulative - first of all, he looks rather human, for a demon - his entire species is designed very particularly like that. Then there's the sunglasses. The "why" [does he wear them] is they function to hide his eyes (one of the main parts of him that give away his demon-ness), but also as a bit of a red flag to the audience that something isn't quite right with him. I mean, look past his charm and he wears them all the time. The black and yellow colour scheme also ties in as warning colours ⚠️

Put them all together and this was one of my first sketches of Demon!Rire.

*Note that I already more or less knew how he looked other than his outfit; you will probably have a lot more sketch duds as you figure out what your character looks like.

---/EXAMPLE---

🔐 Don't lock yourself in

Despite the fact I've just said "pretend your character is a person", remember you're still their creator so obviously you have final say over them. Sometimes you'll find that they grow and change from what you initially thought of them (or you just evolve in how you draw them). Don't be afraid to make the tweaks and changes that enhance these - whether they be physical or core characteristics - and you'll get closer to the true character you always had in mind.

---EXAMPLE--

I now draw Rire with a more pronounced V-shape, longer, wavier hair, and somehow he ended up with way more pronounced eyelashes than I usually draw on my male characs. Which works out quite well considering how I tend to draw his eyes. Anyway the point of this is that these things developed over time as I kept drawing him.

---/EXAMPLE---

🍀 Try it out with your own characs! Have fun and don't force yourself to try and get it "right" on the first go.

[thelunarsystemwrites]

Inviting other artists!

So I've just made a superhero AU for utmv. Right? Well, I really only wanted to design one guy, Lust. Sooo I'm opening the AU (WHICH LITERALLY HAS NO LORE YET SO NO WORRIES) for others to partake in!

Here's like, the basic lay out.

Choose one Sans AU to turn into superhero/villain. Please refrain from using a Sans someone else claimed.

Make them into a superhero/villain themed after something specific. (Example: A plant themed superhero, or even a cactus one!)

Keep powers balanced with weaknesses, please make them relate to their theme!

Give them a civilian identity! You don't have to draw this one, but make sure to mention their civil job and name!

Give them a Superhero/Villain name as well!

Wait, supervillain?

OH YES! You can choose the mortal alignment of your claimed Sans! Super hero, villain, neutral, vigilante? Just pick whatever you want!

Of course headcanons are welcome, it's Canon to YOUR design! Make them trans, gay, autistic, whatever! (Human designs are allowed too!)

Wait.. what do I (the artist reading this) Even get out of doing this?

Well I'll tell you! For one, its a fun artist challenge where you personalize and create a whole new hero/Villain to your preferences!

You also get to imagine their lore, and incorporate their personality into the story! They'd all be canon part of the AU. (Note: if someone claimed a sans first and you did it anyways, yours wouldn't be Canon unless issues occurred with the OG/they gave you permission.)

I dunno, I just wanna make an AU with a ton of people, ya know? I think it's be fun for us to work together on this.

CLAIMED LIST:

Lust: Hero. Complete. By @thelunarsystemwrites.

Reaper: Vigilante. Completed by @solusminds.

Outer: Vigilante. Complete by @dzasterdumpterfire

Ink: Retired Hero. Complete by @lix88888

Error: Supervillain. Complete by @its-paperd

Dust: Claimed by @billygoat26

Farmer: Claimed by @absurdumsid

Cross: Claimed by @weirdest-worlds

Geno: Claimed by @eldritchcats

Shattered: Claimed by @genderfluidyellowocto

Nightmare: Supervillain. Completed by @analexthatexists

Killer: Claimed by @a-menacetosociety

Dream (and core frisk): Claimed by @thenocturnenarrator

Blue: Superhero, complete by @createbellatheartist

Fell: Supervillain, complete @underrrtaleee-freakk

Quantum: Superhero. Completed by @nashdoesstuff (Also made an OC for the AU, Dreamshade! Superhero.)

Horror: Neutral Evil. Completed by @it-came-from-mount-ebott

Ccino: Claimed by @some-aroace-chaos

Fresh: Claimed by @nightmareishomophobic

Die sans: Claimed by @dustsansm1

Bill: Supervillain. Completed by @endless-emptyness (OC Nanno made by sane person!)

Epic: Claimed by @dtdrawz

Fatal error: Claimed by @spookyboris2

Swan: Claimed by @glitching-moon

Sci: Claimed by @joonebugg

Dance: Claimed by @dv-reblogs

Swad: Claimed by @shinanigans-art

Littletale: Claimed by @somehhuuuhh

Possession: Claimed by @b0nerific-individual

Alter: Claimed by @annabel184

Paperjam: Vigilante. Completed by @papple

Decadent society: Supervillain. Complete by @supper122

Green Sans: Claimed by @xxcross-is-a-helicopterxx

Roulette: Claimed by @ant1quarian

On the claimed list, if you claim a Sans (By commenting or reblogging saying "Dibs Blank!" Or "Can I do blank?" Etc! I'll add it on the List saying: "Sans: Claimed by User"

Once it's made, please tag me so I can see! Then I'll update it to "Sans: Moral alignment. By User." And link it on this post! [Please only claim one, we want enough to go around! However you can claim variations! So one person could make dream, another could make shattered!]

[Note I do not claim any ownership over your designs for the AU, nor will I use your design w/o permission.]

With all that said! Anyone interested? [And hey, if you're not interested? It's okay to just not join. Or ignore this!]

Asks! (Questions regarding the AU!)

Can we make our own lore woth other characters?

Secondary claims?

Only two grabs?

Can we have OCs?

Can we use our own AUs?

[odd-im-o]

How to Create an Imaginary

*this guide has been created based on my own experiences and what has worked for me. it is purely a recommendation and should by no means be treated as the final say on imagimancy

*the items within this post have no set order. do whichever points you want, however you want, whenever you want and only IF you want!

*enjoy :D

There's many reasons someone may want to summon an imaginary. Maybe you had one as a child and miss them. Maybe you never quite figured out how to make one in the first place. Maybe the idea of having sentient thoughtforms and willos is a big commitment you're not ready to take yet.

Whatever the reason, I wanted to compile a guide of sorts outlining how to create your own!

What is an Imaginary?

An imaginary is a non- or partially-sentient being drawn from someone's imagination. This could be a fictional character, pet, companion, or anything else! These friends are typically constructed in ones mind and projected out into the real world. It's like a para outside of the paracosm, or an oc specifically designed to interact with you, the creator.

This guide will outline tips to create and maintain your own imaginary.

Choose a Type

Before you can summon an imaginary, you need to know what role your imaginary will play. Are they meant to be a pet, friend, caregiver, lover, or something else entirely? Are they human? Mythical? Something else? Will they be brain-made? Or maybe they're drawn from pre-existing media?

The limits are your own imagination. Choose what fits your own interests and needs.

Draw Inspiration

Your new imaginary may be born from your mind, but it's helpful to draw inspiration from other places. Maybe there's a character you want them to resemble, or a personality you find fitting with your own. Maybe you have an idea for an aesthetic or style your imaginary will take on.

Gather those inspirations and use them moving forward! Maybe make a folder in your phone filled with interesting images, write down what tickles your fancy, or make an collage online. Whatever the method, have fun with this step! It will help flesh out your imaginary.

Visualization

Once you've gathered ideas for your imaginary, it's time to start visualizing. This is, personally, the most difficult part. Your companion, afterall, doesn't actually exist quite yet. It's through your own mind that they will manifest, and that takes a bit of time and effort on your part.

One method of visualization is art. Draw what you want your imaginary to look like, or use picrews or other online-makers to create them. Make them a few times over, see what fits and what feels right, and eventually you should settle on something that's correct.

Another method is picturing. Turn on some music or ASMR you want to associate with your imaginary, close your eyes, and see what appears. Write down anything notable or simply observe. See what comes to mind.

Regardless of your method, at the end you should be able to picture the key traits of your imaginary. Don't worry if these traits change later on. Your imaginary is a being, afterall, and is subject to change. Just settle on what feels right and give your imaginary room to grow as they get settled.

Characterization

As you start to visualize your imaginary, their personality should start to shine through as well.

Observe your imaginary and see what personality traits begin to arise. How do they act? How do they speak? How do they interact with you? Interact with others?

Alternatively, make these choices for yourself! Do you want your imaginary to be friendly? Aggressive? Assertive? Are they an ally to you or a needed opposition?

Also take the time to flesh out your relationship with your imaginary. What role do they play in your life? How do they add to or subtract from your world? How do you two interact?

Once again, these answers may change as your imaginary grows, but begin to take notes of some key factors you notice or want within your imaginary.

Interaction

This is the fun one. While it is completely valid to not interact with your imaginaries, I personally find that interaction is what sets an imaginary apart from OCs or fictional character daydreaming.

That being said, your imaginaries aren't sentient and are somewhat controlled by you. Here's some tips for interacting with your imaginaries and helping to build a relationship between the two of you.

Schedule Interaction Time

I, personally, spend time with my imaginary every morning while I do my daily routine. It provides set-aside time for us to bond and helps to make sure I don't forget he exists.

Choosing a time to interact with your imaginary can really help to build a relationship and make sure they consistently appear. Maybe you talk with your imaginary during lunchbreaks everyday, or Saturday afternoons are always set aside for the two of you. Try not to let this get in the way of other relationships, though. Those are important. It's simply helpful to know that, say, while you do the dishes everyday, a friend will be sitting there to talk with you.

Choose Points in Space

When interacting with your imaginary, try choosing points in the world around you where they appear. Maybe you have a dragon sitting on your shoulder, or a giant crouched outside your window, or a fairy flying just ahead of you. Even if you can't literally see your companion, imagine where they would be while you interact.

Chat with your Imaginary

Talking with your imaginary is a great form of interaction. I personally will talk out loud and give my imaginary time to respond. Another method is to have a mental conversation between the two of you.

At the start, it may feel a little awkward and forced. You may be choosing what your imaginary says and how they respond. But keep with it. Over time the communication should begin to feel more natural.

Forming Habits

Once the hardest parts are done, your only other job is to form habits. Choose moments when you want your imaginary to appear and regularly summon them then. Get used to interacting with them consistently. Observe the way they change and grow as the two of you get to know each other.

Ultimately, if your imaginary doesn't stick around, don't fret! It's totally okay for them to fade. But with a bit of time and effort, you can have an imaginary that sticks with you for a long time :)

[leoruby-draws]

Kid Villains, pt 2.

Decided to post more kiddy villains, bit of a sequel to this. First up is Kitten, Mothman's bratty daughter from the 2003 teen titan cartoon:

Modeled her costume after the Rosy Maple Moth, while there are species of moths with the name kitten on them I figured she would prefer a pink outfit.

Thought it'd be kinda cool for her to be a villain for the batkids, she's already evil so why not. I don't imagine her to be all that talented at the job tho she would still be very dangerous if you underestimate her. I think she would work particularly well against Steph, being that Mothman started as a villain for Barbara (Cass might be too high level for her tbh).

Here's some more doodles:

Here's my Scarecrow's sidekick oc, I should probably name her something like Rag Doll or Raggedy Scream maybe? The three boys are oc's modeled after the Terrible Trio, criminals who commit crimes wearing animal masks. Their identities change a lot over continuities, so these kids are probably aspiring to be the next incarnation of this group.

Here's another random oc, a sidekick for White Rabbit (Jaina Hudson). Thought it'd be funny if it was just a kid in a silly rabbit suit, like what the kid wore in that movie, A Christmas Story. I'm not sure on what his personality should be. Maybe someone genuinely nice, a cheerful, polite boy who likes to hand people bombs (unintentionally dangerous) or maybe someone pretending to be nice but is actually malicious. Whatever's funnier I suppose.

Here's some characters inspired by the Super Friends enemies, the Super Foes. You'd see some of them return for the Robins 2021 mini, except for Toy Boy. Giggles and Guffaw are newer, only appearing in the mini.

I messed with their designs a bit to make them more unique looking. Honeysuckle for example was shown with either red or brown hair but I gave her a sorta dark maroon, thought it contrasted well with her green outfit. Honeysuckle btw, is older than the rest, and is more of an enemy to Dick and Barbara, tho her teenage self has no problem attacking the younger sibs.

Also Giggles and Guffaw might look a little similar to a certain anime starring a group of sextuplets, just being a little funny there. I gave these kids some made up names, mostly taken from whatever writer created them. Couple of them worked out pretty well actually, like Bridwell (well, spring, stream) and Estrada (Road).

This next one is a character from the 2004 cartoon The Batman, which I never actually watched but I did see commercials of. His name is Prank ( Donnie ?), a protege of the Joker. He wasn't evil enough to stick it out, but I gotta say I just loved his costume (esp how the jacket resembles Robins coat a bit). Made up a last name for him, just a random one from searching up famous clowns.

Being Barbara's peer, he's also more of a antagonist for the older kids, decided he and Honeysuckle should friends. I kinda want to use them as a sorta contrast to Babs and Dick, that could be fun to do. Also look at baby Dick, I don't draw him enough at this age.

Speaking of Barbara, I've been going back and forth between having her start out as either 12 or 16. All the other kids start out really young, so it makes sense for Babs to do so as well. But I kinda like the thought of her starting out much older, makes her more unique among the batkids (in pre-crisis she became Batgirl in like her 20s btw, cool huh?)

More various rivals for the kids to fight, excluding my oc Pink Rabbit, all of them more antagonists for the kids themselves rather sidekicks of the villains that Batman fights.

Here's Jason and Steph torturing poor little Enigma, who would be considered the bad guy here?

Here's some more proteges, Holly probably exists in this world, she's a bit too old for all this nonsense tho. Kitten is also a Super Foes member and was in Robins 2021 as well, she's been shown to be a sidekick to the Cheetah and Catwoman. Maybe she's just likes to attach herself to any cat-themed villain.

Crazy Quilt is more of an enemy to Robin than Batman, plus he has his own legacy in Crazy Quilt II, so obviously I had to include them. I wonder what name should I give the younger one, Duvet? Silly Blankie? idk

Lastly here's Earth 3(?) Jason Todd as Talon II paying a visit to the Training Wheels universe, seems like hes a bit of a crybaby. I don't think we've seen a earth 3 variant of Jason, so I'm just making up my own version of him. Wonder why he seems so nervous...

Anyways!! That was a lot, hope you liked all that!

[mod-jazzy]

I was asked so! Here are my silly lil prompts for my personal month challenge thing!!!

NOTE: This is not a official thing or what have you, I was just asked to share the prompts for my lil self challenge, so I am! This is my own personal little challenge because I've had these prompts since 2019 and I want to use them

I'll put under a readmore because it is... like. 30 things lmao

Day 1: First Askblog OC The first blog OC you made! Day 2: Most recent askblog OC Can be a side or main character, just the most recent OC you've made for a blog! Day 3: The Modsona Draw your modsona! Self love n all that Day 4: Redraw a silly/funny askblog panel Find a old silly/funny or shitpost panel from one of your blogs and redraw it! Day 5: Evolution scene Draw your OC evolving! Can be past event, future event or something that already happened for a silly redraw! Day 6: Blog Swap Draw one of your blog OCs as a character on one of your other blogs! If don't have more than one blog, switch up their role with someone else on your current blog! Day 7: Favoritism wins Draw your absolute favorite OC from your blog! Indulge a little Day 8: "Nothing bad happens" What would your OC look like if their plot had nothing bad happen Day 9: Redraw a sad panel Redraw a old sad panel! Last prompt was too cheery, redraw that angst with your updated abilities! Day 10: Favorite Magic Anon Blast from the past, relive that glorious magic anon Day 11: Easiest OC to draw Draw that easy fellow, relax a little! Day 12: Difficult OC to draw Back on that grind, draw that one guy who is the absolute most difficult for you!! Day 13: Redraw your least favorite panel We all have that one panel that just, didn't come out right. Try again! Maybe it'll be nice to see your improvement.. or maybe you'll hate it again. Anyways, chop chop Day 14: Injury Draw that dramatic/important injury your character went through. Past, present or future! Day 15: Beach episode What it says on the tin, we love a filler episode. Can be plot relevant but hey, they deserve to relax too Day 16: Favorite blog Draw some fan art for your favorite blogger! Whether they are a friend, inspiration or what have you! Extra challenge: redraw some old fan art you did for them Day 17: Plot Changer That one moment... the thing that made everything twist. That really hit a hard turn in your storyline! Can be past, present or possible future! Day 18: Scrapped Idea What was that scrapped concept again? Or was it a character.. or even something as silly as a slight design change? Day 19: What's a God to a Blogger Most of us have that one god. That one important guy in the sky... or the ocean.. or under a truck... man pokemon is weird. Day 20: Canon Compliant Stylization is so interesting and unique!... but strip that away. Be close to pokemon canon. Day 21: Shiny Beam A easy one... make that little guy shiny!!... Oh they are already shiny?... well then undo that. Silly. Day 22: Dream interaction What's a interaction with your characters that you would really love to see or are excited for? Can be within your own storyline or a interaction with someone else Day 23: Real World Sighting Draw your OC(s) in a real life photo! Bonus points if its a photo you took. Take this chance to go for a nice walk and take some pretty pictures!.... touch grass. Day 24: A spoiler that.. wouldn't make sense to others That's right. Be vague. Spoil a little bit in the most vague manner. It's always fun to see others speculate. Day 25: In blog ship Draw your favorite ship within your own blog! Friendship/romantic ship/hate ship... Just whatever one makes you smile Day 26: Out of blog ship Same prompt as 25.. But with your OC and someone ELSE'S! again, friendship/romantic ship/etc etc! Day 27: Different Art Medium! That's right. Draw/sculpt/etc your OC in a different art medium than normal. This will either be fun or horrifying for you Day 28: The Inspiration VS the OC Draw your OC with their inspiration! Can be the storyline that inspired them... or the character that desired them! Etc etc Day 29: Song drawing Yeah that's right. Draw your OC/Blog with the song that you associate them with! As a treat Day 30: Redraw first blog post / Thank you Cliche ending alert!! Redraw your first ever askblog panel you have ever made. Not the first post on a more recent blog.. no. THE FIRST ONE. EVER. Or be corny and draw a heartfelt thank you to all of your friends and followers you made Or hell.. maybe even both

[toyhou-se-drama]

"don't make nsfw of my designs."

"don't turn my designs into a vent sona"

"don't hide my designs"

"don't do (personal thing that's an artist's free choice to make with their own character) with my designs."

It's. not. your. character. anymore.

Don't sell your fucking characters if you're not ready for the new owner to do whatever they want with it.

That's barely owning it if you're gonna be so strict.

Might as well call it renting or leasing the damn oc if they don't have full autonomy over their own characters.

Not to mention on the NSFW part: You can choose to not view NSFW content if you don't like it. Hell, if you're a minor, you can't even SEE NSFW content if it's labeled properly!! You shouldn't be concerned with that at all!! How about we stop giving so much of a shit once you hand them off and let people use what they rightfully bought/traded for.

And before someone says it: I DO avoid buying characters with strict TOS. But it's becoming so common for designers to put these restrictions it's like in every TOS now!! It bugs the HELL out of me.

🦫

[dg-outlaw]

Why No Love for Red Hood: The Hill?

I think it's all in the marketing and about what's being delivered versus what readers expected.

So I almost made this post on a reblog, but I didn't want to overwhelm that thread. Plus, I'm not sure if people get mad when someone does a long reblog on their short OG post? Anyway, the point of that post was that Issue 3 of 'Red Hood: The Hill' came out and no one's really talking about it, especially Jason/Red Hood fans.

I think the biggest problem (IMO) with this series is that someone wanted to write a story about The Hill and some new characters (which is fine), but like the 'Batman: The Hill' comic (which I think this series is sort of a sequel to), it's banking off a known character, Red Hood, to be it's selling point. "Come for the Red Hood, but stay for these other characters and their story." All fine and good, but a little deceptive when the marketing leans more toward it being a Red Hood (and new 'Outlaw' friends) story rather than one where Jason is a random guest star.

Series description:

In Gotham City’s early days, The Hill was one of Gotham City’s most dangerous neighborhoods, one that required the residents to band together to keep themselves safe when the police – and sometimes even Batman – wouldn’t. Now, as the Hill finds itself gentrifying, old habits die hard as the vigilante known only as Strike works with her team to keep the town safe—but she’s not alone. Jason Todd, one of the Hill’s newest residents, is more than happy to don the visage of Red Hood to help Strike keep his new home safe. But a new villain is emerging from the shadows. Will Red Hood, Strike and the Hill’s small militia of vigilantes be able to keep their home safe?

And this brings me back to the marketing and advertising of this series, especially versus the Batman: The Hill comic.

Obviously we can see the artistic parallels between these two covers (above). Overall, good job and nice throwback, but... there's a major difference. These two are not similar.

The first cover has "THE HILL" in bold, prominent text and Batman is in the background. This says that Batman is part of the story, but he seems secondary to whatever's going on in the foreground, which is mostly true to the story.

The second cover has "RED HOOD" prominent in the title with "The Hill" as secondary and smaller. Jason is also front and center with Batman looming behind him (who only just showed up at the end of issue 3. There's only two more issues left). The character of Strike, our new protagonist and The Hill's main hero, is down at the bottom and barely in-frame, further suggesting it's more about Jason (and maybe Batman) than The Hill or other characters. Again, clever marketing and nice design nod to the original cover, but deceptive when it comes to the series content. I don't necessarily blame the cover artist here as they might've been given a different brief on what the story was about and I get the fun throwback to the old Hill cover, but these covers are almost reversed in terms of Bat-character prominence.

In the original, Batman was more intertwined in that comic's story than Jason is in his series, which further adds to the audience letdown. If anything, this series needed to go with the coffee shop musician strategy: play a bunch of cover songs to win over the crowd and then slip in your original music (OCs) here and there. Once you have your audience hooked, go all out with your original stuff and then throw in 'Wonderwall' just for kicks and to keep them invested.

Ultimately, I think the biggest problem of this series is pacing and balance. The series needs more Jason to allow readers time to invest in the new characters, but as those new characters develop through their interactions with him THEN Jason can fade back as a partner character or just random character who comes in to help out. As it is, he's a guest star in series called, 'RED HOOD: the hill' with most of Jason's actions being 'day-in-the-life' stuff or a random action panel or two.

If anything, I think Red Hood #51 and #52 did a better job of establishing Jason as a main player, but also working alongside a new hero (Strike) and citizens of The Hill in solving a case. The covers above also display a more balanced composition and preview of what you're getting. Yes, you're reading a Red Hood comic, but there will be some other significant characters playing in this sandbox that you should care about and watch out for.

Sadly, I think the untrue message DC will take away from this series if it doesn't do well is that: (1) Jason is NOT an instant seller so let's shelf him because he couldn't carry this series (that he's barely in), and (2) readers don't like these new characters (most of which are BIPOC and/or LGBTQ), so let's ditch them and do more Batman stuff. 🤦‍♂️

And that's unfortunate because I think there's potential here had this series been executed in a better way. I see where the writer wanted to go with these new characters and they actually seem like an interesting and cozy bunch, but I feel like I'm stepping into an already established found family/friend group, but I don't really know them and I'm the outsider. So eventually I'll find a random distracted moment to quietly say bye to my friend Jason and slip out before anyone notices... like the socially awkward introvert that I am.

[vampyrpunkz]

OKAY, I'm gonna start making things clear here and explain the difference between

Burger Bats AU Johnny and canon Johnny.

First of all, I respect the canon and the creator's works, and when I draw the canon I try to make it accurate, however it is different for the AU because he's a completely different version of himself and it took place AFTER the comic had ended. And I am completely aware of what kind of character Johnny is.

I'm showing two of my artworks of him to show differences of how I draw canon Johnny (purple lineart) and BB!Johnny (turtleneck and base on friend's design)

Burger Bats Johnny AU :

BB!Johnny is a person who's trying to change in this AU. However it doesn't mean he's a good person here, some of his characteristics, interests and traits are still there, but in a "what if Johnny was trying to change" way. This is why we call it an AU for a reason, because we know that BB!Johnny will be further from his canon self. We are aware of that. You are not supposed to mistake him for his canon self, because it's called an AU for a reason.

Canon Johnny :

We know Johnny, well from JTHM. I could describe him as unhinged, random, disturbing in a way but also humorous at the same time. He's an interesting character I must say, he has a lot of words coming out of his mouth yet still acts like the biggest hypocrite you know. He goes out there taking people's lives, even if the reason is because he didn't like someone's tie.

When I draw canon Johnny is also how I see him in the comic, I try to match his personality when I draw him. I try to make it accurate to the canon when I draw him. He's still the way he is in the comic when I draw the canon version of himself. But we are a fandom, there's a possibility that we will make up our own headcanons. I am completely aware of what JTHM is, the storyline, the characters, I am aware of that without romanticizing this idea. It's fiction, it's a literature about a guy living in a constant horror.

I do love canon Johnny as a character as much as BB!Johnny. I love them equally. But at the same time I also want you guys to separate BB!Johnny as an AU from the canon.

The purpose of this AU is not meant to be accurate. This is a multifandom AU that coexists with OCs, so it means there's some characters from different pieces of media in here, not just JTHM, another example that's part of the AU is Pou, LITERALLY POU the game, and it's meant to be just for fun and it isn't supposed to be taken seriously because of the wacky jokes (mostly just between me and my friends, mind you I'm not the only person part of this and I'm not gonna bring up any names for their sake and protection.)

I'm also gonna explain the relationship between Angel and BB!Johnny because it's also relevant.

They are not in a relationship in this. They are not supposed to. They're complicated and toxic, they kinda don't like each other but they hangout and do what friends do. Sort of like enemy-friends, rival-friends whatever you call it. And if you see me draw them together like a couple, it's not related to the lore, it's just something I draw when I'm bored or just trying to have fun. Again, it is not meant to be taken seriously. And I do not condone whatever the heck they do.

It's one sided. Johnny doesn't reciprocate Angel's feelings for him. He doesn't feel the same way. My friend and I had discussed and we agreed. But we also like to joke about how they're like an old divorced couple by how they interact with each other.

There are people who don't like this, I understand that. And I am not forcing anyone to indulge in something they don't like. But refusing to let people have fun and explore their creativity? That's a different story now.

We are just a bunch of teenagers trying to have fun, trying to be creative. It's just we would do in our free time.

[creekwritersblood]

The Fear of being Censored Or Unaccepted

Today's post is something I'm so touched about. This topic is something so close to me as a writer, as a reader, and a Queer myself, I am a proud member of the LGBTQIA+ community and I am standing tall in front of everyone. I spent so many years fearing this part of myself because of the judgment of people, I lost my last job for it, but I do not care, because I think if someone judges a human being only based on who they are sleeping with, then I prefer to be a home mom, than break my back for someone who doesn't value my capabilities as an accountant, a proofreader, Translator or the Graphic Designer I sweat seven shirts to be. I know my value and I won't bow again in front of someone else lying to myself just because some people do not like it, family, bosses, or anything else.

Said that I am working with other marvelous people on a writing project as you saw in my other profile @reginakoilos, and some days ago we had a conversation about censorship. It scares the hell off many people, and it worries a lot of people, but I think that this is still a free World, we have rights, we have creativity and NOBODY can tell us what to write about.

Sadly I've passed this before and I've learned that the only way to avoid it and fight it is to stand tall and not bow.

If I can I will give you some pieces of advice right here:

Don't lose yourself: The first rule is to be loyal to yourselves, if you want to write about LGBTQIA+, Hetero, or Whatever you want to write about Just Do It! Nobody can say to you what to or what not to write. But always remember To Be Respectful.

Auto-Publish: This method of publishing will be your best friend, at least at the start. You will be able to gain money writing what you love, as you love, and Because you love. You won't need a Publisher at the beginning. Besides Internet is way too Vast to censor each and every "uncommon" content!

Marketing: This is the rule of the rules, advertising your product will help you gain public and start your little niche of readers.

Stay away from people who ask you to write only about "common" couples: Nobody has to ask you that, NEVER, because creativity is something subjective and doesn't need to be stopped by those requests. Most of all because with that people can start to feel a bit uneasy and unaccepted.

Never accept compromises regarding the sexuality of your characters: I don't know how you see that, but I honestly consider my characters as a little piece of my mind and they are fruits of hard work and deep thoughts and you must be strong enough to fight for what YOU created with a lot of effort and patience.

Whatever comment will come your way, remember: Only constructive Criticism must be taken into consideration, all the rest is trash and must be something not to consider.

Another topic I came across during this past week, is the horrendous practice of Shaming others, for their diversity, and their way of choosing Characters and making them appear in some way instead of another. I mean, we are in 2025, how can it be possible to read comments of hate like that? 1. Every character is a creation of the writer and the latter has ALL and EVERY right to make the OC however they decide.

2. Why get so mad if someone writes about a chubby character instead of a skinny one? Cannot it have the same appreciation? Every character has its own sexuality, physique, strength, and flaws, they are all different!

3. Every person around here has the right to speak their own mind, of course, but the rule must be always the same RESPECT, something that is missing apparently during this last period.

I really hope next time or if it happens for the first time, you will be strong enough to send back those comments to the sender, because NOBODY has the right to tell you how to write or what.

I speak for myself, I can give advice, but all is up to you.

[eggwishing]

LORD alfuckingmighty i don't think there is a single string of words i could piece 2gether to properly describe the absolute magnificence of ur art . you have such a vast understanding of art & so many of its intricacies. ur character designs are ALWAYS incredible, so so endearing & memorable. every time i see one i get incredibly excited & am strangled by the urge to make fanart because just. oh my god. you have some of the BEST color work i have ever fucking seen like it is genuinely fucking spectacular what you are able to create & look good with combinations of colors i would NOT think to place in the way you do if i were given the same palette. i feel like calling your doodles just "doodles" is like, WRONG, because every single one is something u could spend ages looking at on its own. i'd pick favorites to describe but we would be here for hours . you have the insane ability to keep your style consistent but are able to stretch it & change it for whatevers appropriate/the receive your desired result for the particular drawing and its just SO. SO. COOL. take literally all of this and add it to the fact that you can fucking ANIMATE !!! while still keeping all of these features of ur style intact and that fact is just OTHERWORLDLY to me in the best way possible . not only that but ur stories r always so very intriguing and it makes me SOO ANGRY that oc artwork & original stories dont receive the same attention as fandom work or otherwise because i swear 2 fucking god you go absolutely ABOVE and beyond in terms of creativity for ur stories & DESERVE THE RECOGNITION AAAAAAAAUUUUUUGHHHHHH!!!!!!!!!! GRRRRRRRRRRRRRRRORWGGGGGGGGGGGGRWGGGGGGGGGGRGGGGGGGGGRGGGGGGGGGGGGGRGGGGGGGGGGGGGG okay im done. i hav been up for almost 24 hours and saw one of ur drawings and got real emotional ihope uhave an awesome day eebrt i hope to be at least 10th place in ur list of biggest fans .

oh my god . I'm responding to this on a computer which doesn't have any of my usual images OR emojis that I would usually throw at you like. I don't know Someone who's really really REALLY good at throwing stuff. so I'll just use my words. THANK YOU SO MUCH !!!!!! this means the absolute world to me.. I did not expect to be blasted in the face by one million kisses when I checked my inbox, I had to sit back in my chair like WOW.... I love you .... I love youuuu...... thank you so much for the encouragement, I've been feeling not so confident And kind of afraid (leaving to study animation in college very soon) for the last few days n your words are lifting me out of the void like bingbong's rocket from inside out. not gonna lie your comments are one of the highlights of posting on Tumblr, I love reading them so much when you reblog my stuff. they're beautiful and always make me feel better when I'm feeling down... you were there from the days of homestuck dragons... you were always there for my ocs... You are a "real one." If I had a heart locket I'd print out your icon and put it in there along with all the other people I treasure ^_^ so yeah, definitely in the ranks... when I'm up on stage wearing a solid gold tuxedo (they had to wheel me in because I could not walk in the Solid Gold Tuxedo) and giving my speech to the world before I take it over my i will start by saying First of all I'd like to thank Mel Tumblr user Melissa-titanium On Tumblr for always hyping me up... could not have made it this far without him. And then I'd press the doomsday button and blow up every world leader.

I wish I could respond with something that appropriately returns the energy of what you sent me, but this is all I've got. Just know I am vibrating in my chair right now... hope you got some sleep!!!!! <3 <3 <3 <3 <3 <3

[mewkwota]

Kid Ica- sorry, Pit.

Oh neat. Finally we end this long session with this sweet boy. :>

Send Me a Character

And I will tell you my:

First impression I am one of the millions of people who only knew Pit from Smash. When Brawl's reveal trailer showed its face on Youtube, I recognized every single character. Every single one. Including Snake, especially Snake. But when I saw this kid I thought he was Roy for a second because of the sunset lighting on the Halberd. It took me a couple of seconds to register the name that popped up as someone I briefly saw in Melee. I think Mr. Sakurai knew what he was doing here.

Pit is, like, one of my most favorite characters. His design and character hit about all the right spots for me on my mental checklist. I had a huge thing for angels has a cringy tween, plus he had brown hair in this look which I preferred more, and the outfit certainly does say "this one can kick butt". Also ooh that weapon, how versatile!

But yeah, it was bad. I had an OC who I paired with Pit. And also who wouldn't wanna try on that look (I never did, but the wings would do, and the many times I'd spin sticks like he did his bow, bwaghh).

Even with all that, there was so little to him. I'd scrape around the Internet looking for whatever I could about the kid. And that's where I learned what Captain N was. So you can thank/blame Pit for getting me into Castlevania and (even more into Classic) Mega Man.

With whatever I could gather, along with Uprising's release, I had a reasonable idea as to who Pit was. He's cheery, adorable, and selfless. And I feel some of the other layers to his character that I've picked up also stem from his background as an overlooked retro character. I've discussed this aspect in a comic between him and Sora's addition to Smash. I can tell Mr. Sakurai wanted to give Pit something he didn't quite have, and I chose to translate this as the kiddo having quite the journey in making himself known. Very little by little, until that point in Smash where we know him now.

I'm not surprised if people also saw this like an "ugly swan" path.

Impression now I may be focusing more on his friends now, but Pit holds a very-very special place in my heart. Especially now that Uprising is a thing, and I have actually grown a li~ttle sour towards it.

I know some of the humor in that game can be itty witty silly banter, but sometimes the jokes at Pit's expense can get a little, uhh, old. I get it, he's a brainless chicken who only thinks about food whatever.

It isn't like he can't be a competent character and still be silly, but sometimes the general fanbase can conflate one side. A lot. Because it's funny, sure I understand. Even I like to give Pit his silly moments, but I'd hope it's seen as him being allowed to let loose with his friends, who don't see him as someone lesser-- despite being very prolific representatives in their homelands.

This part of Pit is such an interesting thing to explore. Pit is the captain of a goddess' army. I don't think it matters the size of the army themselves, as everything is dependent on the decisions of their leader. And he's quite skilled with a variety of weapons now that Uprising has implemented that to his person.

There are so many impressive little things that Pit can call his own, but then why would he still feel inferior. Maybe it's because that's how he grew up. I can see it in the context of his place as a random retro character, but also as "that tiny angel who can't fly". (And maybe also the near-constant belittling he gets from the ones above). So as much as he's shown to be so positive, there are definitely moments where those weaknesses are seen or implied.

Long story short, it's the little things here-n-there that I like about him. It also makes for interesting prompts to write about.

Favorite moment Am I able to pick one? Uhh, Pit randomly singing at the start of that one chapter is always gonna be cute. He does a lot of cute things. ^^;

Idea for a story Something about Pit and Rock's relationship in Captain N clicks with me. On the outside it doesn't seem like much aside from "the two little kids hanging around each other", but perhaps that's just me picking at the words they say while mixing in the biases I already have. As a result, I see it that Rock follows after Pit in everything, but Pit also views Rock highly. They both found something in each other.

See this super ancient comic about it here.

One comic I had simmering for decades was looking at the between the two's connection after the events of Captain N and reuniting in Smash 4. It would have been in Pit's perspective and done through several letters-- that he needed help writing.

Unpopular opinion I don't know what is unpopular.

I'm not a part of the KI fandom. I am a part of the Pit fandom, wah.

Favorite relationship *Shoves Captain N in your face once again*

Favorite headcanon Pit is concerningly humble. He has a lot of little talents up his sleeve, a lot of which were picked up with the various part-time things he'd volunteer to do, but he doesn't really make a big deal of them. Some were simply picked up from the duties he was expected to do, or of course, they're just things he can do (so why is that really important).

[4stor]

I thought I'd tell all of you straight to the point about this issue:

TLDR: so this guy came back again and called me lesbophobic cuz apparently I cannot romance Angel as a man, says that Angel doesn't actually like Ronin, and then claims that they're Angel's wife (also claims mischaracterization)

firstly: I'm not lesbophobic, I don't care whoever loves Angel. Angel is ours as a whole in this nation, boy/girl/nonbinary/or whatever ur gender is.

I love her, my heart beats for her and I smile at the sight of her. she is my comfort, and I know she is her own person as well, so I don't idolize her even if I'm such a menace with the way I react about all the arts and fanfics of her even draw and write about her (I js fr see less content so seeing one makes me happy), in line with this most x readers I write are GENDER NEUTRAL. yk why? cuz I know Angel nation aren't just FULL OF MEN. this is literally free for EVERYONE

Second...who gives a fuck if yall have more merches of her? This isn't a competition, chat. I love creating. My friends and some of the members of the fandom draws my persona with Angel and I print it out because I love the effort they put and I love Angel. I create one of those cut outs of her because it's fun and I love her character design and everything. I draw her ever so often- you don't even know that I've placed little hidden meanings into those arts, fanfics full of raw emotions.

Thirdly: u.. fucked up the moment u said that Angel doesn't rlly like Ronin--- but I ain't gonna delve with that but talk about how.... they do love each other, like for real the OC x canon I wrote always depicted their platonic love for each other, as well as platonic love between my persona and Ronin. If u haven't played the xmas dlc and actually dissected Killer chat then u haven't seen how they treat each other romantically(xmas) and platonically(killer chat) bwahsha. They're literally how I am with my friends (platonically). But someone (Hi N<3) would be able to inform you about it much more clearly than I ever could

that's all for most of the people here who are concerned over my views about Angel lmao, I think this should be importantly discussed before one of yall jealous losers are at my ass again.

However if u don't like me, block. Easy. Don't ever interact with me again, future issues like this in my asks will be ignored and deleted. This will be the last I will ACTUALLY respond to.

----------------------------------------------------------------------------

I know ull see this anyway, u love stalking my page and be a pussy about it and use ur alt/anonymous lmao.

I don't regret calling you toxic cuz you already fucked up the moment u sent ur reply, ur not hating on yume, ur js jealous.... and my jaw dropped the moment I read that..... I love everyone in Angel nation when they show love for her, their raw love for her regardless of gender... However, you're a different one. as "minions" claim... you're that canon Maria de la rosa fan who's obsessive and possessive-

so who's the creepy and disgusting one now? if u can't get that thru ur thick skull, get out of my page. GET OUT OF THIS FANDOM as a matter of fact. Nobody is gonna appreciate some possessive yume non-sharing hater and then assumes some guy is a lesbian phobic. I am a transgender guy born female WITH lesbian friends and they certainly don't ever feel that way with me as they are also an Angel lover.

covered for animosity.

[uniquexusposts]

Her || Charles

Main characters: Charles Leclerc x OC Genre: fanfiction, fluff  Story type: novel  Part: 20/45 Word count: 2858 Co writer: @mistrose23

Story summary: Matilde Jørgensen, the new Scuderia Ferrari team principal, faced the nerve-wracking challenge of reviving the team's fortunes and aiming for a championship. Leading a historic team as a 'newbie' and separating her work and personal opinions posed a significant challenge. The big question: is she capable to do so?

Previous chapter

Chapter 18. Statement

"Buongiorno," Charles greeted his colleagues when he entered the engineer's truck. His eyes scanned the people who had already sat on their spots. He missed one person, but she must be getting some tea or coffee.

His colleagues greeted him back. Charles sat down in his designated spot next to Matilde, who usually would sit at the head of the long table. It would give her an overview of the team. Charles noticed how her seat was untouched, her notebook and laptop weren't there, just like the tangerine she always ate every morning. It had only happened once that she was late and that was on her first day. It became normal to arrive and see Matilde already sitting there. She was the first to arrive and the last to leave.

Carlos entered the room. "Sorry for being late. There are so many fans out there," he apologised. He sat down across from Charles. He looked at Matilde's spot. "Where's Matilde?" He was surprised.

"Late," an engineer replied.

"Oh. Weird."

Even though the meeting had to begin when Carlos entered the room, people were still busy with preparations. Some didn't mind having a few extra minutes, but it was unusual.

Ten minutes had passed the designated starting time and Matilde was still nowhere to be seen. Members started to exchange puzzled glances. Even if Matildle was a minute late, she would tell someone about it. Her being ten minutes late already, was not right.

"Did someone try to call Matilde yet?" one of the engineers finally suggested.

"I already tried. No answer," someone else answered.

"And Galileo? Did someone try to contact him?"

"Shouldn't we just begin? We need to get this done before we run out of time."

"No, let's just wait for a bit longer. She must be on her way," another voice chimed in, hope lingering in the words.

"I texted Galileo," someone else mentioned.

Just seconds after that, Galileo and Silvia entered the room. Their presence alone was enough to signal that something was amiss. The usual smiles were absent, replaced by expressions of concern. They were never at a briefing like this.

"Can I get everyone's attention, please," Galileo's voice cut through the room, making sure everyone stopped with whatever they were doing. He took a moment to survey the room. "As you have noticed, we are missing the team principal today. Matilde will not be present today, tomorrow, and Sunday," he announced, causing eyebrows to raise in collective surprise. She had never missed one day of work.

A murmur of questions and confusion rippled through the room. Carlos, unable to contain his worry, spoke up first. "What? Why? What happened?"

"We are only allowed to share with the team that Matilde is hospitalised for a personal reason," Galileo responded somberly.

More questions were being asked about the situation.

"Her family has kindly requested that we not contact Matilde until she reaches out to us herself. We will not have a replacement for this weekend, so we must do it together."

Silvia nodded in agreement, her usual vibrant energy subdued. "We will publish a statement in a moment, written by Matilde's family. Charles and Carlos, when talking to the media or someone else who asks about it, you will say she will not be here at the track until further explanation. There will probably get some fuzz around it, let them be, but don't say anything about the hospital. Galileo and I are informed about the situation, but the media doesn't have to know it yet. They asked not to share it because they are still waiting on some results and do not want to share it yet. But do know that she is fine and not in a life-threatening situation. It is a private matter and for you, a team matter. For your further information, Christian Horner and Toto Wolff were there when it happened, but they have also been requested not to share anything with anyone. For now, that is all we know and all we can share. When we get an update, you will be the first to know about it. For questions about it, you know where to find me."

A sense of collective shock settled over the room, the usual camaraderie replaced by an atmosphere of uncertainty. The team members were left with more questions than answers, their concern for Matilde was palpable.

"May I ask why Matilde's family is in control of all the communications? Just curious to know..." one team member ventured, voicing the questions that echoed in the minds of many.

Silvia exchanged a glance with Galileo before responding. "Matilde's family is handling the situation because they value their privacy, and we respect that. Matilde's brother is a press officer and will be dealing with this for now. Let's focus on the tasks at hand and wish Matilde a swift recovery. Updates will follow when we have them."

"We do have a card, so if you would like to write something down, please, do it," Galileo mentioned and gave a massive 'Get Well Soon' card to Charles.

"Can it be stress?" Charles worriedly asked. He knew he had created a lot of fuzz and stress last week. He was worried this could be his fault.

"That's something we cannot share, Charles," Silvia weakly smiled.

He silently gasped for air; he had caused this. Fear flickered in his eyes. "Okay," Charles mumbled and opened the card. As he grabbed a pen, his mind became blank. He stared at the empty card, processing the situation.

The room fell into a contemplative silence, the weight of the unknown casting a shadow over what should have been a routine morning briefing. The Silverstone weekend had begun under a cloud of uncertainty, and the Scuderia Ferrari team found themselves navigating uncharted territory without their leader.

- press statement -

Official Statement from the Family of Matilde Jørgensen and Scuderia Ferrari

Dear Scuderia Ferrari and Formula 1 Fans,

We want to inform you that Matilde has been admitted to the hospital for a medical concern that requires some attention. We want to assure everyone that she is currently stable and receiving the necessary medical care. We understand the desire for more details, but we kindly request your understanding and respect for our family's privacy during this sensitive time.

At this time, Matilde needs some space for rest and recovery. Consequently, she will not be present for the upcoming weekend, and we appreciate your understanding regarding her absence. The medical team is taking good care of her, and we are hopeful for a swift and smooth recovery.

As always, we are grateful for Matilde's support and love from the Ferrari family, the Formula 1 community, and fans worldwide. We kindly request respect for our privacy during this period and will keep you updated as necessary.

Thank you for your understanding and warm wishes.

Sincerely,

The Jørgensen Family and Scuderia Ferrari

* * *

It didn't stay unnoticed that there was one team principal missing during the Friday at Silverstone. The news travelled fast through the paddock and beyond. As the morning unfolded, whispers of concern reverberated through the media centre, press rooms and social media platforms. The press release from the family and team confirmed some of the rumours, and photos and videos that were taken last evening - a few fans spotted the rushing ambulance leaving the paddock in the evening, causing so many rumours - but it was Matilde who was taken to the hospital.

Reports were exchanging speculative theories about Matilde's sudden absence. Twitter and other social media channels became flooded with questions and speculation because the statement provided minimal details. It confirmed her hospitalisation, but left the reason shrouded in mystery. Fans and media were craving information about the young team principal. The lack of information became a breeding ground for rumours and speculation.

The week began with all its focus on the huge sporting event in the weekend, but it quickly shifted to the missing and hospitalised team principal.

The whispers and speculations reached a crescendo when fans began piecing together the timeline of events. Fans witnessed the fallout back in Spielberg last weekend, could that be a reason for the absence? The realisation that Matilde was taken from the track to the hospital stirred a wave of anxiety among the Ferrari faithful. Concerned messages flooded the team's social media accounts, asking for updates and offering words of support.

The team was just as affected as the fans were. The first free practice was full of mistakes, especially by Charles. He was distracted and that was noticeable; messy mistakes in the corners, delayed reactions and the times were off. He blamed himself for Matilde's absence and it weighed heavily on his shoulders. He had been a pain in the arse to her, he gave her a hard time. What if he went too far?

Throughout the entire day, he kept reading the speculations on social media. He didn't know what kind of impact it had on the fans, but it was probably caused by the not-saying-much press release.

Tweets:

"MATILDE IS HOSPITALISED??? WHAT HAPPENED TO HER???"

"Just heard a theory about Matilde's absence at Silverstone - some say it might be stress-related burnout. Hoping for her speedy recovery!!!"

"Heard some dark whispers about Matilde leaving due to internal team clashes. It might be the reason why Matilde collapsed during the team principal's meeting. Hope it's just wild speculation!"

"Ferrari is no good to their team principles. Maybe Matilde collapsed due to all the fights within the team. Everyone does what they want to do in the team. What is going on?!"

Nobody in the team was aware of a sudden departure, but to Charles, it kinda wouldn't be a surprise after the way everyone treated her, including him. Gossip travelled fast through the paddock and over the internet, just like wild theories.

However, the day continued and Charles still had to see the media after the free practices.

"Charles, tough day out there on the track. Can you walk us through your day and the challenges you faced?" F1TV asked.

"Yeah, it was a bit of a tricky one today. We struggled a bit with the balance of the car during the first practice. We were trying some new setups, and it didn't go as smoothly as we hoped." Charles honestly replied and looked around while talking, he never looked the interviewer in the eyes during the interview. "The car felt a bit unpredictable, especially through the high-speed corners. But we have collected enough data, so we will work on it."

The interviewer nodded. "We saw during the second practice that you improved some runs. It seemed like you had it under control."

"Yes, we made some adjustments and it did feel better, but we're still not where we want to be," Charles replied. He was glad the man was only asking about the practices. It felt like he finally could answer properly and think about something else. "We are working hard to analyse the data and find some solutions for tomorrow, for qualifying, and of course, for Sunday." He showed a brief, but promising smile.

"The world is all thinking of Matilde's absence, did it have any impact on the team's performances today?"

Cheered too soon. "Well, it's certainly a bit different not having Matilde around. We all miss her, and I think it's been a bit of a challenge for everyone."

"Fans are speculating about Matilde's situation. Some say it's a reaction to your clash last week in Spielberg, that it caused her to be overstressed and perhaps even burnout. We've seen quite some moments that didn't go smoothly between her and the team. Do you have anything to say to that?"

Charles took a deep breath, recollecting his thoughts. "Uh... I wish I could provide more information, but honestly, I don't have my details. Matilde's family and the team have asked for privacy, and we respect that. All I can say is that we're sending our best wishes her way, and we hope to have her back with us soon," he replied. It was a scripted response, he had to learn that from Silvia and so far, it worked well. "But," he said before the reporter would ask his next question. Charles wanted to share that they made it up. He didn't have the chance to say it to anyone. "About the situation in Spielberg, we talked about it, and we're fine. I also spoke to Carlos and Max, we're all fine now. It was an unfortunate moment, and I'm not proud of it, but we have to look ahead of us, not behind us."

"Thank you for sharing this, Charles. We wish Matilde the best, and we hope to see her soon again."

"Thank you," Charles nodded and returned to the Ferrari hospitality.

"You didn't have to say the last part," the press officer mentioned.

"I wanted to."

The entire team made themselves ready for the debrief again. The engineers were already sharing some points with each other, others were enjoying an espresso, and some people were scrolling through special media.

"Guys," one of the engineers said. "There's a tweet going around that Matilde collapsed due to an addiction issue."

Silence fell in the room, and looks were shared. It was like someone pressed the pause button, no one was moving or saying anything.

"I heard a reporter say that the hospitalisation is linked to high blood pressure due to an unconfirmed pregnancy," someone else added.

Charles sat down on his chair, he was lost in the sea of rumours, the uncertainty gnawing at him.

One of the engineers noticed the unease in the room and took charge. "Alright, people, let's focus. For whatever reason Matilde is hospitalised, it still doesn't change the fact that we will support her. Whatever is circulating out there, is just speculation. We will hear from her once she is ready. But we have a job to do, and that's what we'll do now."

Everyone shifted their attention back to the technical details, the debriefing starting, but Charles remained distracted. The rumours circulating about Matilde's conduction were like a storm in his mind, each one more unsettling than the last. As the debrief continued, Charles had ups and downs regarding his concentration. When he needed to be focused, he was focused, but when it wasn't about him, his mind drifted away.

Luckily for Charles, the debrief came to an end quickly. He had to find Max, perhaps he knew something more about Matilde. He walked to the Red Bull's hospitality like he had one goal and one goal only.

"What are you doing here?" Max confusedly asked, he was walking around with his dinner, trying to find a spot to eat.

"Matilde... Do you know if she's okay?"

Max glanced around, making sure no one was in earshot. He signed to Charles that he could enter the cafeteria. They sat down in the corner of the area, where they had some privacy. "I don't have all the details, mate. But from what I've heard, it's serious enough that they're keeping it all under wraps. Toto and Christian were there when it happened, but even they are tight-lipped."

"But you are close to her..."

"I tried to call her, but her brother picked up the phone, not giving much information."

Charles felt a lump in his throat. "What do you think happened?"

"No idea. But you know Matilde, she's tough. She'll pull through."

Charles nodded, trying to hide the worry etched on his face. "But all those rumours," he breathed. "Stress, burnout, depression, clashes in the team. Maybe I'm the cause, maybe I pushed her to the limit and now she collapsed because I am a dickhead. And the rumours about an addiction, or unconfirmed pregnancy. I even heard that she had a miscarriage because of the stress I give her." He looked and sounded hopeless, a side Max hadn't seen of him yet.

"Don't blame yourself for things you don't know," Max replied.

"I just can't shake off this feeling that I could've done something differently."

"We all have those moments. But right now, she needs our support. If there's anything you can do, it's to stay focused on the race, keep the team together, and give her the strength she needs when she comes back."

Charles looked at Max, making eye contact, his eyes reflecting a mix of gratitude and distress. "I hope she comes back."

"She will." Max observed Charles' body language. Charles had a hard time hiding his emotions, and the situation was taking a personal toll on him. Max could see that Charles genuinely cared about Matilde, and the worry for her well-being weighed heavily on his shoulders. It was a stupid thought, but perhaps that was the reason why Charles couldn't get along with Matilde.

"You care about her, don't you?" Max asked, his tone gentle.

Charles sighed, not attempting to mask his emotions. "Yeah, I do," he whispered, running his hand through his hair. "More than I probably should, given our position. She's my team principal. The entire team is, was, shocked, but they can handle it. I...I just can't stop thinking about the things I've done to her."

"She'll be fine. And none of this is your fault."

Next chapter

Taglist: @itsjustkhaos @crashingwavesofeuphoria@maryvibess @chocolatefartstrawberry @snzleclerc

[magerywrites]

magery hello,,!! i hope this isnt too forward but i discovered you via _maiqo on twitter a long while ago and have been absolutely enamored by your works ever since — your writing is an enormous inspiration to me and i sincerely hope that my works can one day match the same level of excellence.

you absolutely dont have to indulge me at all, but is there any advice you can give in terms of writing character studies? :’D if not its totally ok !! and anything works !! i just figured it’s worth a shot haha

Thank you very much! It's always lovely to learn that what I've written has meant something to someone. I appreciate it.

In an attempt to answer your question, I'll talk about how I think about and approach character studies. It may be that much of what I say fails to be useful to you, but I hope to be of some small aid regardless!

To begin, I think the most fundamental element of writing a character study—as a piece of fanfiction, though much of this can be applied without significant difficulty to orginal works—is to have a firm vision of who the character is to you.

This is separate from having a firm vision of who the character "really" is. Nobody can have that—every way we engage with media is coloured by our own values and perspectives, and that bleeds into the way we think about and write characters. This is sometimes a difficult dichotomy to balance against the principle of "they would not fucking say that", but to borrow some old and too-simplified physics, I think it can be useful to consider that a character is in many ways like an electron in an electron cloud. Their precise and perfect characterisation is not something that we can ever truly locate, but we can identify the area of narrative space it is most likely to be in.

The task of the character study, I feel, is to hammer down on the part of that narrative space that you find most compelling. To take the meat of their character and cook it the way you would want it served to you. A character study is not to please anyone else. A character study—or, at least, the kind of character study I write—exists for you to get your feelings out about the character you have been rotating in your brain onto the page. It also exists, of course, so that you can try to show those feelings to other people and hope they feel them too, but you will never succeed in actually capturing those feelings in the first place if you don't allow yourself to write your authentic vision of the character.

They don't have to be your blorbo, or your problematic fave, or your three corners of the OC design triangle, or whatever, but when you write them, for that space and time they do have to be yours. Otherwise, what's the point?

Once you have that vision, you can put them in practically any situation you like and as long as there's something in it for them to bounce off, you're going to be able to tell a story that reveals something about the character. If you look at the "plots" of a selection of my character studies, we have "one guy folds sheets, another guy asks him questions" as a plot, we have "a pair of exes talk across a tabletop after a party", we have "oh LAWD they FAWKING" like four and a half times, we have "retelling the plot of something else" twice, and we even have "two people on a helicopter flight for an hour". It's not really complicated stuff. It doesn't need to be. The character, or characters, just need to be in a situation where they're going to have some reason to think about, and maybe even talk about, whatever conflict or idea or relationship you find most compelling about them.

With that said, it should be noted that it's... well, for me, with the way I do things, it's very very difficult to conceive of writing a character study in any situation without a clear and central conflict the character or characters are grappling with. All of my character studies revolve around a problem a character has and how they react to it. And yes, "having a conflict" is, like, the quiddity of a story, the most basic plot diagram there is. But what I'm trying to say here is that even in the story I mentioned where two people sit in a helicopter and talk to each other, the story is intensely focused on the internal struggle one of those characters is having with the choices that led to her sitting in that helicopter and how much they do, or don't, make her like the person she's sitting opposite (both more and less than she knows). And that's the sort of thing that I think is key. The conflict, in my eyes, needs to be philosophically central to the way you view the character and what you want to say about them. It needs to be tightly intertwined into what you find most compelling about them—the thing that you just want to sink your hands into and squeeze, for good or ill. That's how you get to really show the world who they are and why you care about that.

After that, I really think that in a lot of ways it just comes down to the prose. How deeply can you write into your character's head? Are you colouring even your description of the world around them with the way they would see it—or are you taking the opposite path and presenting the character entirely through someone else's eyes, so that you can characterise them through the distance between what the other person thinks about them and how they present themselves? You don't need frame-perfect metaphors or the Inanna-Ishtar LGBTQIA+ sharingan-coloured prose to do that, but you do need to focus on writing in a way that expresses the character.

This does take focus. How much focus depends on how specialised you are into that style of prose, but it is focus nonetheless: you need to think of your sentences, each and every one, as tools to communicate something about your understanding of the character that you want the audience to know. Some of them will inevitably instead become vehicles to reach a point where you can communicate that understanding, but something as simple as what a character notices first when they walk into a room tells you something about them. Lean on that. Lean into that. After all, if you're writing a character study, the writing should study your character.

(Colour this advice with the fact that I am, as you've probably realised from reading my writing, very much a prose-focused writer. I have spent near on fifteen years, since before I even graduated high school, honing my prose for poetry of language and interiority so that I can write in the way I most enjoy reading. That affects what I value in writing, and it affects my opinion on the way people should write. I believe what I am saying is true and good and useful, because I have faith in the way I engage with my art, but my advice does not chart the sole and singular course to the ever-distant utopia.)

To tl;dr myself, my advice for writing character studies fundamentally boils down to to the idea that I think a character study is most potent when it presents a vision of a character that the writer has clearly obsessed over. That they have layered with their thoughts, their perspective, and their heart to the degree that it drips even from their prose. A character study with the confidence to say this is what I think is compelling about this character, and I want you to see it too.

I may not agree with it, I may think "They Would Not Have Fucking Said That", I may even think the writer has just invented an unsustainable interpretation of the character that demonstrates startling reading incomprehension and I can't believe I have to share the same fandom as these people.

But at the same time, I know people have thought and said that about my own works—and I'm still happy that I wrote them.

I have far more respect for someone who's written an entirely committed and deranged interpretation of a character that I think is Flatly Fucking Wrong than I do someone who presents me with the most milquetoast interpretation I can't disagree with. If I choose to read a character study, it's because I want to see you study the character. That's, as the meme goes, why I'm here.

So, really: focus on determining who you think the character is, write them the way you want to see them written, keep your prose tight to who you think the character is (not just "would they say that?" or "would they think that?" but "how would they describe that?" and "what would they see in that?"), and commit to the bit.

(If you've managed to read to the bottom—thank you for entertaining my rambling, and I hope it helped!)